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2004-2005
One Good Marriage
American
Premiere
October 21 – November
21, 2004
By
Sean Reycraft
Directed by John Vreeke
On
their first wedding anniversary
a young couple - she a high school English teacher, he the school's
librarian -
gather in the school's gymnasium with a group of acquaintances they
hope will
become their good friends. They need new
friends because of a tragedy that is revealed in the course of the
one-act
play.
All Night Strut
February 10 – March
27, 2005
By
Fran Charnas
Directed by Thomas W. Jones, II
Music Direction by William Knowles
Sassy, sizzling and
swinging songs from the 30’s and
40’s. Jazz, blues, bebop and classic
song standards by legendary song writers Hoagy Charmichael, Cab
Calloway, Duke
Ellington, George and Ira Gershwin and Fats Waller including “Ain’t
Misbehavin”, “Fascinating Rhythm”, “It Don’t Mean a Thing”,
“Chattanooga Choo
Choo” and many more.
Electra 
April 21 – May 29,
2005
Adapted
by Frank McGuiness
Directed by Michael Russotto
Sophocles’ riveting tale
of betrayal, murder and revenge
shines in a bold new adaptation. A story
of fierce love and loyalty that celbrates the tenacity of the human
spirit,
while exposing the darkest side of the human soul.
As compelling and timely today as it was
2400
years ago.
** Helen Hayes nomination
The
Last Five Years
June 15 –
July 24,
2005
Written
and composed by
Jason Robert Brown
Directed by Jane Pesci-Townsend
Music Direction by Howard Breitbart
A
bittersweet love story about a successful novelist and a
struggling actress that takes the audience back and forth from
beginning to end
and back again as the story of their marriage unfolds and unravels.
The Sandstorm:
Stories
from the Front
August 17 – September
25, 2005
By
Sean Huze
Directed by Brett Smock
Amidst all of the
controversy surrounding the war and
occupation in Iraq, the story of those brave men
who heroically fought its opening phases
has been
lost in the furor of nonexistent weapons of mass destruction,
presidential
politics and the growing insurgency. The
Sandstorm is based on the war as experienced by the playwright, a U.S.
Marine
with the 2nd Light Armored Reconnaissance Battalion (2D LAR).
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