Playwright Ramsey found his material in a forgotten singer's trunk
J. Wynn Rousuck
Theater
You might say that the musical Bricktop was born in a trunk. The trunk had belonged to an
African-American singer named Ada "Bricktop" Smith and was purchased a few years ago by
the library at Atlanta's Emory University, which is where native Baltimore
playwright Calvin A. Ramsey saw it.
Ramsey
had never heard of the singer, but when he started going through her trunk, he
says, "I saw all these telegrams from Cole Porter, letters from Arlene
Francis and Dorothy Kilgallen. And I said, 'Who is
this woman who would have heard from all of these people?'"
The
answer has turned into a musical, which opened a five-week run at MetroStage in
The
title character, Ramsey discovered in his research, was called "Bricktop" because "she was a light-skinned black
woman with red hair and freckles." His research also led him to the oldest
adopted son of Josephine Baker (who came to
The
music in the show ranges "from Eubie Blake to
Cole Porter to [Johnny] Mercer and up to the music in 1984," the year Bricktop, Hunter and Mercer all died.
Although
Bricktop is Ramsey's first musical, it's not the
first play for this 56-year-old former insurance agent. Concentrating on what
he calls "unknown pages in African-American history," Ramsey's other
scripts include The Green Book, about a guidebook listing places where black
travelers were welcome in the South during the Jim Crow era, and Shermantown, Baseball, Apple Pie, and the Klan, a play
whose depiction of Ku Klux Klan meetings provoked controversy in 2005 when
readings were canceled by a Stone Mountain, Ga., theater.
His
most recent project is a children's book, The Last Mule of Gee's
Bricktop runs through Feb. 25 at MetroStage, 1201